amazing animal

Posted by aD HErnANdeZ | Posted on 5:16 PM

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 Tyrannosaurus Rex (extinct 65 million years ago)[Wiki]

Tyrannosaurus rex was one of the largest land carnivores of all time, measuring up to 43.3 feet long, and 16.6 ft tall, with an estimated mass that goes up to 7 tons. Like other tyrannosaurids, Tyrannosaurus was a bipedal carnivore with a massive skull balanced by a long, heavy tail. Relative to the large and powerful hindlimbs, Tyrannosaurus forelimbs were small and they retained only two digits.

Fossils of T. rex have been found in North American rock formations datingto the last three million years of the Cretaceous Period at the end of the Maastrichtian stage, approximately 68.5 to 65.5 million years ago; it was among the last dinosaurs to exist prior to the Cretaceous-Tertiary extinction event. More than 30 specimens of T. rex have been identified, some of which are nearly complete skeletons. Some researchers have discovered soft tissue as well. The abundance of fossil material has allowed significant research into many aspects of its biology, including life history and biomechanics.




 Quagga: half zebra, half horse (extinct since 1883)[Wiki]

One of Africa's most famous extinct animals, the quagga was a subspecies of the plains zebra, which was once found in great numbers in South Africa's Cape Province and the southern part of the Orange Free State. It was distinguished from other zebras by having the usual vivid marks on the front part of the body only. In the mid-section, the stripes faded and the dark, inter-stripe spaces became wider, and the hindquarters were a plain brown. The name comes from a Khoikhoi word for zebra and is onomatopoeic, being said to resemble the quagga's call.

The quagga was originally classified as an individual species, Equus quagga, in 1788. Over the next fifty years or so, many other zebras were described by naturalists and explorers. Because of the great variation in coat patterns (no two zebras are alike), taxonomists were left with a great number of described "species", and no easy way to tell which of these were true species, which were subspecies, and which were simply natural variants. Long before this confusion was sorted out, the quagga had been hunted to extinction for meat, hides, and to preserve feed for domesticated stock. The last wild quagga was probably shot in the late 1870s, and the last specimen in captivity died on August 12, 1883 at the Artis Magistra zoo in Amsterdam.

Because of the great confusion between different zebra species, particularly among the general public, the quagga had become extinct before it was realized that it appeared to be a separate species. The quagga was the first extinct creature to have its DNA studied. Recent genetic research at the Smithsonian Institution has demonstrated that the quagga was in fact not a separate species at all, but diverged from the extremely variable plains zebra.




Caspian Tiger: the third largest (extinct since 1970)[Wiki]

The Caspian tiger or Persian tiger was the westernmost subspecies of tiger, found in Iran, Iraq, Afghanistan, Turkey, Mongolia, Kazakhstan, Caucasus, Tajikistan, Turkmenistan and Uzbekistan until it apparently became extinct in the 1970s. Of all the tigers known to the world, the Caspian tiger was the third largest.

The body of this subspecies was quite stocky and elongated with strong legs, big wide paws and unusually large claws. The ears were short and small, and gave the appearance of being without hair on the tips. Around the cheeks the Caspian tiger was generously furred and the rest of its fur was long and thick. The colouration resembled that of the Bengal tiger. Male Caspian tigers were very large and weighed 169-240 kg. Females were not as large, weighing 85-135 kg. There are still occasional claims of the Caspian tiger being sighted.

Amazing Story of a Man Who Survived Being Buried 40 Days...

Posted by aD HErnANdeZ | Posted on 5:11 PM

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According to a fascinating report printed in the London Telegraph in 1880, a man was buried ‘in a condition of apparent death’ for 40 days and survived. No tricks or tomfoolery were involved, so how did he do it?
It’s often the case that when someone professes to be able do something remarkable, that great gift of human nature kicks in – skepticism. So when Maharajah Ranjeet Singh heard from an Indian fakir who claimed he could come back to life after being buried for several months in an apparent state of death, the Maharajah could only reply with one statement – proof or it didn’t happen.
At once, the fakir, named Haridas, was summonsed before the Maharajah – who regarded the idea as possibly fraudulent – to act out exactly how he could accomplish this amazing feat.
In full view of the Maharajah and nobles of the court, within a short time, the fakir appeared comatosed. One of the witnesses at the time, an Honorable Captain Osborn, made his own account of the event:
“When every spark of life had seemingly vanished, he was … wrapped up in the linen on which he had been sitting, and on which the seal of Ranjeet Sing was placed. The body was then deposited in a chest, on which Ranjeet Sing, with his own hand, fixed a heavy padlock. The chest was carried outside the town and buried in a garden belonging to the Minister; barley was sown over the spot, a wall created around it, and sentinels posted.”
So was the mistrust of the Maharajah.
The familiar image of a fakir on a bed of nails:
fakir lying on bed of nailsPhoto:
Image: Herbert Ponting
After 40 days the fakir was exhumed and the chest opened. The man, although cold, was in the exact same condition as he was in 40 days previously. Revived by having heat applied to the head, his body rubbed and warm air blown into his ears and mouth, the fakir returned to a full state of consciousness.
A second eye witness account by a Sir Claude Wade, present to detect any signs of fraud, better explain the fakir’s resuscitation:
“I proposed to Runjeet Singh to tear open the bag and have a perfect view of the body before any means of resuscitation were employed. I accordingly did so; and may here remark that the bag when first seen by us looked mildewed, as if it had been buried some time.
The arms and legs of the body were shriveled and stiff, the face full, the head reclined on the shoulder like that of a corpse. I then called to the medical gentleman who was attending me to come down and inspect the body, which he did, but could discover no pulsation in the heart, the temples or the arms. There was, however, a heat about the region of the brain which no other part exhibited.
The servant then commenced bathing him with hot water, and gradually relaxing his arms and legs from the rigid state in which they were contracted, Runjeet Singh taking his right and I his left leg, to aid by friction in restoring them to their proper action… The servant then put some of the ghee on his tongue and made him swallow it.
A few minutes afterward the eyeballs became dilated, and recovered their natural color, when the Fakir recognized Runjeet Singh sitting close to him, and articulated in a low sepulchral tone, “Do you believe me now?””
The Maharajah did indeed believe him and presented the fakir with gifts of a pearl necklace, gold bracelets and pieces of silk and muslin, those that are normally reserved for people of distinction.
How did the fakir manage to survive being buried for 40 days?
For a long time there have been claims that fakirs, yogis and shamen can control their physiological condition by mind power alone. Reports from 1925 suggest an Egyptian man, Tahra Bey, could increase his heart rate to 140 beats per minute (bpm) and slow it down to 40 bpm, or sometimes stop it completely. And in 1974, a jujuman from Togo in West Africa was buried in a coffin, covered with concrete slabs and layers of mortar. Just as the onlookers began to panic and pleaded with authorities to help him out, the man emerged unscathed. He said his secret was meditating for long periods of time underground.
Fakirs are known to be able to walk on fire without getting burnt:
fakirs walking firePhoto:
Image: The Secret Museum of Mankind
Hadrias, the Maharajah’s fakir, revealed he purged his digestive system some time before the internment and drank only small quantities of milk on the days leading up to the display. On the day he was to be buried he swallowed a strip of linen three fingers wide and 30 yards long, which he withdrew immediately, to clean out his stomach. These pre-theatrics, and a knack for in depth meditation, meant the fakir survived.
On another occasion, the same fakir was buried for a period of four months, this time his beard was shaved off just beforehand, and when he was dug up again his chin was as smooth as the day he was buried, thus proving that suspended animation is indeed possible.

Nice Story..

Posted by aD HErnANdeZ | Posted on 5:08 PM

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According to the 1933 obituaries in both Time Magazine and the New York Times, Li Ching-Yun was reported to have buried 23 wives and fostered 180 descendants by the time he died at the age of 256.
Was he really that old? Could he have forgotten his own birthday or exaggerated his claim? Environmental Graffiti investigates.
The Secrets to an Interminable Life
"Keep a quiet heart, sit like a tortoise, walk sprightly like a pigeon and sleep like a dog." These were the words of advice Li gave to Wu Pei-fu, the warlord, who took Li into his house to learn the secret of extremely long life.
Li maintained that inward calm and peace of mind were the secrets to incredible longevity. His diet after all, was mainly based on rice and wine.
From 0 to 256
Unsurprisingly, not much is known about Li Ching-Yun’s early life. We know he was born in the province of Szechwan in China, where he also died. We also know that by his tenth birthday, Ching-Yun was literate and had travelled to Kansu, Shansi, Tibet, Annam, Siam and Manchuria gathering herbs. After that, it gets a bit fuzzy…
Apparently, for over one hundred years, Li continued selling his own herbs and then subsequently sold herbs collected by others. He also (according to Time) had six-inch long fingernails on his right hand.
You might be thinking that he looked decrepit, shrivelled, leather-like and creepy, however sources at the time were astonished at his youthfulness. Was this suspect? Was Li Ching-Yun as old as he claimed he was, or was his birthday a clerical error or exaggeration?
Let’s take a brief look at both sides…
The Nine Lives of Li Ching-Yun
By his own admission he was born in 1736 and had lived 197 years. However, in 1930 a professor and dean at Minkuo University by the name of Wu Chung-chien, found records “proving” that Li was born in 1677. Records allegedly showed that the Imperial Chinese Government congratulated him on his 150th and 200th Birthdays.
So the question is, had he forgotten his own birthday? Was this even the same Li Ching-Yun?
Looking at all of this from a medical and documented perspective: Jeanne Louise Calment, a French woman who died in 1997 so far holds the title for the person who has roamed the earth the longest: 122 years, which is a phenomenal length of time.
That means, that if the records discovered by Wu Chung-chien were accurate, Li Ching-Yun’s age would surpass the official record by more than 130 years. Is this even medically possible?
The detail, which seems to prove both arguments and debunk them at the same time, is Li’s youthful appearance, noted in a 1928 article from the New York Times. Visually and physically, he appeared to look like a typical 60 year-old. Does this therefore signify a superhuman body capable of lasting one quarter of a millennium, or is the story of Li Ching-Yun based on a series of half-truths, lies or exaggerations?
Unfortunately, we may never know. You may draw your own logical conclusions.


formula of calculus

Posted by aD HErnANdeZ | Posted on 3:49 AM

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integrals Calculus Formula

Differential Calculus Formulas:
1) D' {x n } = nx n-1 2) D'{sin x} = cos x 3) D'{cos x} = -sin x 4) D'{tan x} = sec 2 x 5) D'{sec x} = sec x * tan x 6) D'{cot x} = - cosec 2 x 7) D'{cosec x} = -cosec x * cot x 8) D'{log a x} = 1 log a x x 9) D'{log x} = 1 x 10) D'{a x } = a x log a 11) D'{e x }..
Differential calculus formula sheet:
Derivatives of polynomial functions: `d/dx` (c) = 0 `d/dx` (x) = 1 `d/dx ` (cx) = c `d/dx` (x n ) = nx n-1 `d/dx` (cx n ) = ncx n-1 Derivatives of trigonometric functions: `d/dx` (sin x) = cos x `d/dx` (cos x) = - sin x `d/dx ` (tan x) = sec 2 x `d/dx` (cot x) = - cosec 2 x `d/dx` (sec x) = sec x tan x ..
Important Differential Calculus Formulas:
D' {x n } = nx n-1 D'{cos x} = -sin x D'{sin x} = cos x D'{tan x} = sec 2 x D'{sec x} = sec x * tan x D'{cot x} = - cosec 2 x D'{log a x} = `1/x` log a x D'{cosec x} = -cosec x * cot x D'{log x} = `1/x` D'{a x } = a x log a D'{e x } = e x D'{sin- 1 x} = `(1)/(sqrt(1-x^2)) ` ..
Differentiation calculus formulas:
1 . ` d / dx` (x n ) = n x n-1 2. `d/dx` (ln x) = `1/x` 3 . `d/dx ` (cos x) = sin x 4. ` d/dx` (e x ) = e x 5. `d/dx` (tan x) = sec 2 x 6 . `d/dx` (sin x) = cos x 7. `d/dx` (log b u) = `1/(u ln b)` `(du)/(dx)` 8. . `d/dx` `(u/v)` = `(v(du)/(dx) - u(dv)/(dx))/ v^2` 9. ` d/dx` `(u..
Calculus differentiation formulas:
Learn differentiation formulas: 1 . ` d / dx` (x n ) = n x n-1 2. `d/dx` (ln x) = `1/x` 3 . `d/dx ` (cos x) = sin x 4. ` d/dx` (e x ) = e x 5. `d/dx` (tan x) = sec 2 x 6 . `d/dx` (sin x) = cos x 7. `d/dx` (log b u) = `1/(u ln b)` `(du)/(dx)` 8. . `d/dx` `(u/v)` ..
Calculus differentiation formulas:
1 . ` d / dx` (x n ) = n x n-1 2. `d/dx` (ln x) = `1/x` 3 . `d/dx ` (cos x) = sin x 4. ` d/dx` (e x ) = e x 5. `d/dx` (tan x) = sec 2 x 6 . `d/dx` (sin x) = cos x 7. `d/dx` (log b u) = `1/(u ln b)` `(du)/(dx)` 8. . `d/dx` `(u/v)` = `(v(du)/(dx) - u(dv)/(dx))/ v^2` 9. ` d/dx` `(..
Basic formula for Differential Calculus applications:
`d/dx ` tanx = sec 2 x `d/dx` cotx = csc 2 x `d/dx ` secx = secx tanx `d/dx` cscx = cscx cotx `d/dx` e ax = ae x `d/dx ` a x = ln(a) a x , a>0 & a1 `d/dx` c=0 C - Constant `d/dx` c f(x)=c d/dx f(x) `d/dx` x n = nx n1 `d/dx` sinax = acosax `d/dx` cosax = asinax ..
Learning formulas of differential calculus from online tutorial:
`d/dx` (c) = 0 `d/dx` (x) = 1 `d/dx ` (cx) = c `d/dx` (x n ) = nx n-1 `d/dx` (cx n ) = ncx n-1 `d/dx` (u + v) = `(du)/dx` + ` (dv)/dx` `d/dx` (u - v) = `(du)/dx` - `(dv)/dx` `d/dx` (uv) = u `(dv)/dx` + v `(du)/dx` `d/dx` (u/v) = (v `(du)/dx` - u `(dv)/dx` )/v 2 `d/dx` (sin x) = cos x `d..
Formulas necessary to Solve Differential Calculus Problems:
d/dx c=0 C - Constant d/dx c f(x)=c d/dx f(x) d/dx x n = nx n1 d/dx sinax = acosax d/dx cosax = asinax d/dx tanx = sec 2 x d/dx cotx = csc 2 x d/dx secx = secx tanx d/dx cscx = cscx cotx d/dx e ax = ae x d/dx a x = ln(a) a x , a>0 & a1 ..
list of calculus formulas-Basic Properties and Formulas of Differentiation :
different formulaIf f (x) and g(x) are differentiable functions (the derivative exists), c and n are any real numbers, ..
Differentiation formulas:
Learn differentiation formulas: 1. `d/dx` (x n ) = n x n-1 2 . `d/dx` (cot x) = cosec 2 x 3. ` d/dx` (sec x) = sec x.tan x 4. `d/dx` (ln x) = `1/x` 5. `d/dx` (log b u) = `1/(u ln b)` `(du)/(dx)` 6. `d/dx ` `(sin^(- 1)x)` = ` 1/sqrt(1-x^2)` 7. `d/dx ` `(cos^(- 1)x)` = `- 1..
Differentiation formulas:
Learn differentiation formulas: 1. `d/dx` (x n ) = n x n-1 2 . `d/dx` (cot x) = cosec 2 x 3. ` d/dx` (sec x) = sec x.tan x 4. `d/dx` (ln x) = `1/x` 5. `d/dx` (log b u) = `1/(u ln b)` `(du)/(dx)` 6. `d/dx ` `(sin^(- 1)x)` = ` 1/sqrt(1-x^2)` 7. `d/dx ` `(cos^(- 1)x)` = `- ..
Differentiation formulas:
Learn differentiation formulas: 1. `d/dx` (x n ) = n x n-1 2 . `d/dx` (cot x) = cosec 2 x 3. ` d/dx` (sec x) = sec x.tan x 4. `d/dx` (ln x) = `1/x` 5. `d/dx` (log b u) = `1/(u ln b)` `(du)/(dx)` 6. `d/dx ` `(sin^(- 1)x)` = ` 1/sqrt(1-x^2)` 7. `d/dx ` `(cos^(- 1)x)` = `- ..
Differentiation formulas:
Learning differentiation formulas: 1. `d/dx` (x n ) = n x n-1 2 . `d/dx` (cot x) = cosec 2 x 3. ` d/dx` (sec x) = sec x.tan x 4. `d/dx` (ln x) = `1/x` 5. `d/dx` (log b u) = `1/(u ln b)` `(du)/(dx)` 6. ` d/dx` `(uv)` = `u(dv)/(dx)` + `v(du)/(dx)` 7 . `d/dx` `(u/v)` = `(v(du)/..
Differentiation problems of AP calculus :
Hints to solve porblems based on differentiation: We first view the problem then see what formula we have to use. Plug in the value of n in the formula for `x^n` then we simplify . Que 1:Find the second derivative of the following function: f(x) = x 3 - 4x 2 + 4x Sol :To find the 1 st derivativ..

The 8 Keys to Success

Posted by aD HErnANdeZ | Posted on 3:40 AM

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For years, I have been lecturing to CEOs, artists, photographers, filmmakers and other creative people on what it takes to be successful - successful at least at being who they can be, not necessarily who others think they should be. I've interviewed hundreds of successful artists, counseled hundreds of students and working professionals on their way up and a few on their way down. I've also looked at my own career, talents and motivations along the way, and come to the conclusion that there were eight keys to being successful. When I started there were five keys; in a few years, when I am wiser, then maybe I'll have 10 keys, but for now eight keys seem enough. Here they are in their order of importance.
#1: PASSION
Passion is that "demonic compulsiveness" that John Gardner talks about in his book, "On Becoming a Novelist." It's what fires any creative person, something that gets you angry, or something you love and want to share. It's ambition, a vision for your future, dim though it may be. That vision leads to setting goals, long-term goals (I want to be a photographer) and short-term goals, (what camera do I buy?). I ask everyone I interview, have you written down your goals? Most people have not. Have you? Do you know where you'd like to be in five years? I do. I have written it down, so that at year's end, or on some quiet evening, I can look at what I've written and reflect on where I've been, and where I'm going � how far along the path I've come and how far I've got to go. Often, I realize I've reached my goals and need to be dreaming about new horizons, new challenges and new goals. Write down your goals. They will tell you what to do for the short-term goals � what books to buy, skills to develop, workshops to take, exercises to do to get better.
#2: ABILITY TO ACCEPT A RISK
I do not know anyone who has succeeded who has not been able to assess and take a risk and then live with the consequence - success or failure. Risk avoidance is a sure way to remain mediocre; being safe does not promote personal growth. Failure or making a mistake is not a bad thing; it's proof you were exploring new ways to do something, and that's better than safe success. We learn from our mistakes, not our successes. Really creative people embrace risk. They can sustain a high level of ambiguity; they do not need to know where they are. They do not mind being lost, for they call it just taking the longer, more interesting way around.
#3: HIGH SELF-ESTEEM
You think well of yourself. You are not boastful or egotistical, but do have an honest understanding of your talents, handicaps and are working toward getting better.
#4: PERSISTENCE
You have just done this long enough. How long is long enough? Well, it will take 10 years. I have asked hundreds of accomplished photographers, writers, filmmakers, painters and musician how long it took before they felt they were able to speak from a source within. Ten years was been their unanimous answer.
If it takes 10 years, then how do you spend the time wisely? It will take at least two years to acquire 70 percent of the craft you will need to work in your medium. It will take another eight years to acquire the next 20 percent of your craft. At 90 percent, you will have mastered your craft, but there is that 10 percent that will take a lifetime to acquire. In the meantime, while working to master your craft (the technical skills and processes for working in your medium) you will also be learning and acquiring a personal vision, your ability to see, to observe, to create and discover things. This is difficult at first, but the older you get the wiser and more aware you become. Craft and vision are your tools for inner exploration.
Persistence takes discipline. Discipline is simply doing what you know you need to do, even though you don't feel like doing it. The first thing is knowing what to do. Most people do not know. You are reading this, so you are interested in finding out what to do. Make a list. Next, find the willpower to do what's on the list. This is the most difficult part of all the keys - finding the positive willpower to do what you know you need to do. We all wrestle with discipline for it does not come easily, not even for the most successful.
#5: BEING NICE TO WORK WITH
Why is being nice important? Because it will be other people who will help you acquire the craft, help you discover and develop your vision, give you a job, introduce you to opportunities. People want to help others, but only if they show a willingness to work, to contribute and are nice to have around. People want to have positive, enthusiastic people around, people who will solve problems, not create them.
#6: WHO YOU KNOW
If you are nice to work with, the next will follow. You need to know and be known by people who will help you, hire you, buy your work, and give you advice. Here is a list of people you need to know and be known by:
Good Teachers - People who know what you need to know and can teach it to you in a way that you learn it.
Coaches - People who know your limits and your potential and will help keep you close to your "edge" of learning and growing.
Peers - Your friends and classmates, people who are on the same rung of the ladder as you, who are striving as you are.
Masters - People who are successful in their careers who can look at your work, your process and your career and give you valuable feedback, feedback you will accept and follow.
Mentors - A master with whom you have established a working relationship, someone who is wiser, accomplished and will help you understand the limits and possibilities of your projects, your process and your creative life.
Your Clients - The people who will buy your work, give you assignments, hire you.
#7: MASTER YOUR CRAFT
Learn a craft, so you have a tool with which to earn a living. This tool can also be used to explore life - outwardly and spiritually inwardly - as you search your soul for the reasons of your existence.
#8: TALENT
Talent is the last thing you need. You have to have some of it, but you do not need a lot. Too much talent is often a handicap. Things come too easily and there is little incentive to push, to make use of the talent. I know highly talented musicians who refuse to perform in public, photographers who are so arrogant no one wants them around, filmmakers whose egos are so inflated they are a pain to deal with, and others who are so impatient at getting what they want, they never master anything and, therefore, never do succeed. I prefer to surround myself with positive, successful people, young people who are enthusiastic even though they have yet to find or develop what talent they may have.
A talent is the natural ability to do something extraordinary. We all can do a lot, but some people have been gifted with talents that go beyond what others can do. What are you talented at? Do you know?
Success is not a matter of being talented. Notice it is last on the list. A little bit of talent, combined with the other seven keys, will lead you to success. I know many people who are talented, but lack one or more of the other seven keys and they fail to succeed.
Do not blame your lack of success on your lack of talent. It will be your attitude that will determine your altitude, not your talent or lack thereof.

aBOut chRIStina AguILera

Posted by aD HErnANdeZ | Posted on 3:38 AM

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  According to the words of Chrstina AGUELIERA, along with personal interviews of the true meaning of this stanza in her song, Beautiful, Christina Aguilera approaches the reader and listener with her profound emotions. She perceives that through immense pressure and criticism, she is still "beautiful."

"I am beautiful no matter what they say
words can't bring me down
I am beautiful in every single way

yes, words can't bring me down
so don't you bring me down today"
- Christina Aguilera
What exactly does Christina Aguilera try to convey? According to her words along with personal interviews of the true meaning of this stanza in her song, Beautiful, Christina Aguilera approaches the reader and listener with her profound emotions. She perceives that through immense pressure and criticism, she is still "beautiful."
Her tone in this song is at first mellow, but when she comes to the stanza of this song, she deliberately raises her voice to emphasize her genuine feelings. The tone describes her want and need for her thoughts to be truly heard. She wants the listener to capture her essence and the view of herself. In this specific stanza, she explains that she is still "beautiful" regardless what "you" say. It is not directly specified who exactly "you" is, but it may pertain to anyone. Also, her tone is encouraging to herself and those who receive a personal meaning from it.
Her tone leads us to her message, which is that Christina Aguilera is, indeed, satisfied with herself and everything she is. She explains that despite whatever anyone says, she will not be discouraged in any means. She wants the reader and listener to comprehend that she doesn't need anyone to dishearten her of what exactly she is. She expresses to the reader and listener that she, herself will not be stressed by others negative disapproval. Her purpose is to basically state that she is who she is and no one will change that and addresses someone that there opinion would not matter, regardless.
Analyzing the word, "beautiful" in this stanza, one should perceive that she is not actually singing about the outside of her, but what she consists of emotionally and mentally on the inside. She reveals that her thoughts and emotions are of worth and value and they are of her opinion. They are consumed through her, and no one else and if anyone disagrees, she does not take that into affect. Her diction is actually pretty precise. To quote a famous cliché, beauty is not skin deep. She explains that the beauty is the sentiment.
Comprehending her lyrics, one may perceive from the understanding that her intended audience is actually anyone who may be feeling the same way as her and the effect in which she wishes to have upon them is to be like her in the way that she does not want the audience to care about anything anyone says about them. She believes that not only her, but also everyone is beautiful in every way in which adapts to them.
Considering her lyrics, one may perceive through understanding her effect, purpose, tone, and diction what her message is. Her stanza is a very positive message which is presented to anyone who is feeling the same way or to those who are actually brought down because of the discouragement of others. All in all, Christina Aguilera's genuine statements in her stanza of lyrics are easily understood, her purpose is presented clearly because of her diction and tone.

Pub Game Idiot

Posted by aD HErnANdeZ | Posted on 6:55 AM

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Last Boxing Day (that's the day after Xmas for those who don't have one) I was in a local bar with three of my friends. I don't smoke myself, but the others all did and one of them, Porky, showed us this bar game. You take a box of matches and pierce the top of it with one unlit match, so that this match sticks vertically up out of the top (i.e. the only side that doesn't have contact with the drawer underneath so that it can still open and close). The challange is to take the box in your hand and with just that one hand open the box, take out a match, light it and then light the match on top with the match you have just struck.

Turned out the hardest bit was getting the match struck with enough force to ignite it but not so much that it carries on and you burn yourself in the palm of the hand (try it and you'll see what I mean!). So me, Porky and one of the other guys had been sitting trying this for about fifteen minutes but mostly kept burning ourselves. Then Toomba, the guy who up to this point had just been watching, decided he would have a go. We were happy to sit back and nurse our burns while he took a blast at it. So, he takes the box in his hand and pokes it open with a finger. He then takes a match out WITH HIS OTHER HAND and procedes to do it and then gloat at his "success" assuming our astonished faces were because his genius brain had cracked it - ignore the "do it with one hand" bit!